Posts tagged "Album Review"

Album Review: Brothers Osborne’s ‘Port Saint Joe’

On Port Saint Joe, Brothers Osborne prove exactly why they are the reigning ACM and CMA Vocal Duo of the Year.

Annie Reuter • April 18, 2018

Album Review: Ashley Monroe’s ‘Sparrow’

Ashley Monroe combines her captivating sound and daring writing style on her new full-length project, Sparrow.

Cillea Houghton • April 17, 2018

Album Review: Jason Aldean’s ‘Rearview Town’

Jason Aldean’s Rearview Town is full of country-rock arena anthems as well as showcases the singer’s vulnerabilities.

Annie Reuter • April 10, 2018

Album Review: Kacey Musgraves’ ‘Golden Hour’

Kacey Musgraves bares her soul in the most fascinating of ways across the 13 captivating tracks of new album, Golden Hour.

Cillea Houghton • March 29, 2018


Album Review: Ashley McBryde’s ‘Girl Going Nowhere’

Ashley McBryde’s major label debut, Girl Going Nowhere, is a versatile release that highlights the singer’s distinct talent as a songwriter.

Annie Reuter • March 26, 2018

Album Review: Jordan Davis’ ‘Home State’

Overall a standout debut that highlights Davis’ ability as both a vocalist and a songwriter, Home State marries big sounds and production with the vulnerability of his lyrics for a truly enjoyable listen.

Annie Reuter • March 19, 2018

Album Review: Scotty McCreery’s ‘Seasons Change’

For Scotty McCreery, the growth isn’t on the production side of his new album, Seasons Change… it’s in the lyrics.

Cillea Houghton • March 13, 2018

Album Review: The Oak Ridge Boys’ ’17th Avenue Revival’

The Oak Ridge Boys album, 17th Avenue Revival, shows that the ‘Mighty Oaks’ still have plenty of fuel in the creative ignition

Chuck Dauphin • March 12, 2018


Album Review: Wade Bowen’s ‘Solid Ground’

A versatile album that blends many sonic flavors and influences, Bowen’s Solid Ground continues to enhance the singer’s lengthy catalog.

Annie Reuter • February 7, 2018

Album Review: Montgomery Gentry’s ‘Here’s To You’

Though Montgomery Gentry’s Here’s To You album wasn’t recorded as a tribute to Troy Gentry, its release certainly is.

Cillea Houghton • January 31, 2018

EP Review: Kalie Shorr’s ‘Awake’

2018 could very well be the year of Kalie Shorr!

Chuck Dauphin • January 26, 2018

Album Review: Devin Dawson’s ‘Dark Horse’

Altogether a standout release, Dark Horse introduces Devin Dawson as an artist and songwriter who needs to be heard.

Annie Reuter • January 16, 2018


EP Review: Walker McGuire’s Self-Titled EP

Walker McGuire seems to offer an authentic look at who this promising duo is meant to be, pulling together a body of songs that could easily be radio hits…

Cillea Houghton • January 12, 2018

Album Review: Luke Bryan’s ‘What Makes You Country’

What Makes You Country has Bryan diving deeper with songs that will no doubt survive the test of time.

Annie Reuter • December 5, 2017

Album Review: Danielle Bradbery’s ‘I Don’t Believe We’ve Met’

Danielle Bradbery has grown up immensely since her last album and seems to have started a new and bright chapter in her career.

Laura Hostelley • November 30, 2017

Album Review: Chris Stapleton’s ‘From A Room: Volume 2′

Once again Stapleton impresses with his latest release, From A Room: Volume 2.

Annie Reuter • November 28, 2017


Album Review: Chase Rice’s ‘Lambs & Lions’

The vulnerability Rice puts on display all throughout Lambs & Lions is a testament to his growth in the genre and shows promise of all that he has left to do.

Laura Hostelley • November 16, 2017

Album Review: Tim McGraw and Faith Hill’s ‘The Rest Of Our Life’

Tim McGraw and Faith Hill’s The Rest of Our Life showcases the couple’s strong voices and undeniable passion.

Cillea Houghton • November 16, 2017

Album Review: Tracy Lawrence’s ‘Good Ole Days’

On Good Ole Days, collaborations are the name of the game, as Lawrence matched his previous hits with a wide variety of today’s biggest recording artists.

Chuck Dauphin • November 10, 2017

Album Review: Kelsea Ballerini’s ‘Unapologetically’

Ballerini’s sophomore effort, Unapologetically, is solid album from top to bottom.

Annie Reuter • October 31, 2017